The Magic of Comedy Pilots: Setting the Tone for Success

Comedy pilots are a special breed. They’re often the make-or-break moment for a show, determining whether viewers will tune in for the next episode—or bail before the credits roll. Some pilots are absolute perfection, hooking audiences from the very first scene. Who can forget Rachel walking into Central Perk in her wedding dress in Friends, or Cam reenacting The Lion King to introduce Baby Lily in Modern Family? These iconic moments set the tone, introduce the characters, and capture the show’s essence in a way that leaves a lasting impression. However, not all pilots hit the ground running. Many are good enough to keep you watching the next episode, but they don’t necessarily cement the show as a must-watch right away. In today’s oversaturated streaming landscape, where the next big thing is always just a click away, it’s easy to move on if a show doesn’t grab you immediately.

"Running Point": A Promising yet Uneven Start

Netflix’s new comedy, Running Point, falls into the latter category. Created by Mindy Kaling, Ike Barinholtz, and David Stassen, the show has an intriguing premise and a stellar cast, but its pilot doesn’t quite hit the mark. Kate Hudson shines as Isla Gordon, a determined and charismatic leader who steps in to run the fictional basketball franchise, the Los Angeles Waves, after her brother Cameron (Justin Theroux) heads to rehab. The setup is solid: Isla must navigate a losing team, manage her quirky brothers, and earn the respect of the players—all while juggling her personal life. The pilot is promising, but it’s not the standout episode that defines instant classics like Ted Lasso or Abbott Elementary. That said, it’s worth sticking with, because the series finds its footing as the episodes progress.

Balancing Family Dynamics and Sports: A Millennial Twist

At its core, Running Point feels tailor-made for millennials. The show isn’t as family-friendly or inspirational as Ted Lasso, but it has a certain edgy, relatable charm. The humor is laced with references that only someone who grew up in the 2000s would fully appreciate—like a clever nod to Degrassi: The Next Generation that had me laughing out loud. The cast is a mix of familiar faces, including Brenda Song (The Suite Life of Zack and Cody) as Isla’s best friend and chief of staff, and Max Greenfield (New Girl) as her fiancé. These additions make the show feel like a throwback to the golden age of millennial comedy.

The show also leans into its sports angle, but it’s not just about basketball. It’s about the drama, the underdog story, and the messy interpersonal relationships that come with running a team. By the midpoint of the season, the games become more central to the plot, giving viewers something to root for. The players evolve from background characters to fully fleshed-out personalities, making it easier to invest in their journey. The pacing improves, too, as the storylines become more balanced and the comedic timing clicks into place.

Finding Its Groove: When "Running Point" Hits Its Stride

By the third episode, Running Point starts to come into its own. The ensemble cast, which initially feels a bit disjointed, begins to gel. Kate Hudson’s performance is a big part of what holds the show together. Her charisma and comedic timing are undeniable, and her character’s determination is infectious. The dynamic between Isla and her brothers—Ness (Scott MacArthur) and Sandy (Drew Tarver)—adds a layer of humor and heart, as they navigate their complicated sibling relationships.

One of the standout elements of the show is its apolitical nature. In a time when so much comedy feels tied to current events, Running Point offers a refreshing escape. The jokes are timely but not hyper-specific, which makes the show feel more timeless. It’s a streaming-era comedy, through and through, with episodes that are designed to be binged. While it doesn’t reinvent the wheel, it executes its formula well, delivering a lighthearted, entertaining watch.

Humor and Heart: A Show for Millennials, by Millennials

Running Point isn’t perfect, but it doesn’t need to be. It’s a show that feels deeply personal to its audience—specifically, millennials who grew up on shows like The Office and The Mindy Project. It’s a love letter to the generation that came of age in the 2000s, with its pop culture references, quirky humor, and relatable therapeutic absurdity. By the end of the season, the show has found its groove, and it’s easy to see why it would resonate with fans of Kaling’s other work, like The Sex Lives of College Girls and Never Have I Ever.

The show’s strongest asset, however, is its potential. By the time the final episode rolls around, you’ll likely be invested in the characters and eager to see what’s next. The love triangle between Isla, her fiancé, and the coach (Jay Ellis) is teased throughout the season, and the basketball team’s journey from losers to contenders is both satisfying and fun to watch. With a second season, Running Point could easily become a staple of Netflix’s comedy lineup. For now, it’s a charming, if imperfect, addition to the world of millennial comedy. And if you’re anything like me, you’ll finish the season and immediately start hoping for a renewal.

The Verdict: A Millennial Comedy with Heart and Humor

Running Point isn’t a perfect show, but it doesn’t have to be. It’s a lighthearted, entertaining watch that feels like it was made specifically for millennials. With its stellar cast, witty humor, and underdog story, it’s a show that grows on you with each episode. It’s not a unicorn pilot, but it’s a solid start to what could become a beloved series. If you’re a fan of Kaling’s brand of humor or just looking for a fun, feel-good comedy, Running Point is worth adding to your watchlist. And who knows? By the end of the season, you might just find yourself rooting for the Los Angeles Waves—and eager to see what’s next for Isla Gordon and her team.